Artborne—The Painted World
← Return to the Archive

Legal—Archive Records

Covenants & Obligations

Terms of Use Privacy Policy Copyright & Attribution

These records govern the relationship between the Archive and all who enter its halls.

Terms of Use

The Hoonter's Covenant

Effective as of June 2025. Applies to all who enter.

Good Hoonter. You have come seeking knowledge—the hidden threads that bind art to nightmare. The Archive welcomes you. But a covenant, once entered, cannot easily be undone. Read what follows. Then decide whether to proceed.

The First Party

The Archive

Artborne and its creator. The keeper of these records, the curator of these connections. Referred to hereafter as the Archive or we.

The Second Party

The Hoonter

Any person who visits, uses, or submits to this site. That is to say: you. Referred to hereafter as the Hoonter or you.

I. The Nature of This Place

Artborne is a free, personal, non-commercial reference archive. It catalogs real-world artworks—paintings, architecture, literature, film, music, and more—that appear to have influenced the worlds built by FromSoftware. It is a research tool and a labour of love, not an official product of any studio or publisher.

By using Artborne, you accept this covenant in full. If you do not accept it, the Archive remains—but not for you.

II. What the Hunt Permits

You are welcome to:

  • Browse, search, and filter the Archive for personal research, study, or enjoyment
  • Share links to individual entries or to the site as a whole
  • Quote brief passages of our original descriptive text, provided you credit Artborne and link back to the source
  • Submit references for consideration—see Section IV

III. What the Hunt Forbids

The following uses are not permitted without prior written consent:

  • Scraping, mirroring, or bulk-downloading the Archive's data for redistribution
  • Reproducing the Archive's original text, curation, or structure in any commercial product
  • Presenting the Archive's content as your own
  • Using the Archive in any way that violates applicable law, or that harms other users or third parties

The artworks cataloged here belong to their respective creators, estates, and institutions. The Archive's permission extends only to its own original writing and structure—not to the referenced works themselves.

IV. Submissions

The Archive welcomes submissions from Hoonters who have discovered connections we have missed. By submitting a reference, you confirm that:

  • The submission is your own original contribution, or one you have the right to share
  • You grant the Archive a perpetual, royalty-free right to include the submission in the index, in whole or edited form, with or without credit
  • You understand that not all submissions will be accepted, and that accepted entries may be modified for accuracy or consistency

We will not sell your submission data or use it for any purpose beyond maintaining the Archive.

V. No Guarantees

The Archive is provided as-is. We strive for accuracy, but some connections remain community-identified or suspected—these confidence levels are clearly marked, and you should exercise your own judgment accordingly. We make no warranty, express or implied, as to the completeness or fitness of this information for any particular purpose.

The Archive may change, grow, or in darker hours, go dead entirely. We accept no liability for interruptions to access.

VI. Changes to This Covenant

The Archive may revise these terms. Material changes will be noted on this page with an updated effective date. Continued use of the Archive after such changes constitutes acceptance of the new covenant.

VII. Severance

Should any clause of this covenant be found unenforceable, the remaining clauses stand. The covenant does not break—it merely forgets what was unworkable.

Inquiries: yep_stillfalling@proton.me

Privacy Policy

What the Archive Observes

Effective as of June 2025.

The Archive was granted eyes. It counts the souls who pass through its gates, the corridors they haunt, the time they linger. But it was not granted the wish to know your name. It has no use for such things.

I. What We Collect

The Archive collects the minimum necessary to understand how it is used and to receive the messages you choose to send.

Usage data (via Google Analytics): When you visit Artborne, Google Analytics records anonymized information: pages visited, approximate geographic region, browser type, session duration, and similar aggregate metrics. This data does not identify you personally. IP addresses are anonymized before they reach us.

Form submissions: If you submit a reference or file a report, the Archive receives whatever you voluntarily include in that form—a description, a link, and optionally an email address if you provide one. This data is used only to process your submission.

Local storage: The Archive stores your view preferences (selected filters, sort order, visited entries) in your browser's local storage. This data never leaves your device. It is yours alone.

II. What We Do Not Collect

  • Names, addresses, or any identity documents
  • Payment information of any kind
  • Precise location data
  • Anything beyond what is described above

III. Third Parties

Google Analytics (Google LLC): The Archive uses Google Analytics to understand aggregate site usage. Google processes this data under its own privacy policy. You may opt out via Google's opt-out browser add-on.

Vercel Analytics (Vercel Inc.): The Archive is hosted on Vercel, which collects anonymized usage data—page views, referrers, and similar aggregate metrics. No personally identifiable information is collected. See Vercel's privacy policy for details.

The Archive does not sell your data. It does not display advertisements.

IV. Cookies

Google Analytics sets a small number of cookies to distinguish sessions and measure usage patterns. No other cookies are set by the Archive itself. You may disable cookies in your browser settings; doing so will not affect your ability to use the Archive.

V. Your Rights

If you have submitted a form and wish to have that data removed, or if you have any question about information the Archive may hold, write to us and we will respond promptly.

Depending on where you reside, you may have rights under applicable law—including the right to access, correct, or delete personal data. We will honour any reasonable request.

VI. Children

The Archive is not directed at children under the age of 13. We do not knowingly collect personal data from minors. If you believe such data has been submitted, contact us and we will remove it.

Privacy enquiries: yep_stillfalling@proton.me

Copyright & Attribution

The Ledger of Sources

Every shadow has a source. These are the debts recorded.

Nothing in the Archive was conjured from nothing. Every entry is a debt—to an artist, a builder, a composer, a dreamer long dead. This ledger is our accounting.

I. The Archive's Own Work

The original writing in Artborne—connection descriptions, curatorial notes, and the structure of the database—is copyright © Artborne / its creator, all rights reserved. You may quote briefly with attribution; you may not reproduce it wholesale without permission.

II. The Referenced Works

The artworks cataloged here—paintings, sculptures, buildings, novels, films, musical compositions—belong to their creators, estates, museums, publishers, and other rights holders. The Archive claims no ownership over any of them.

Category Status
Works created before 1928 Generally in the public domain in most jurisdictions. The Archive lists them freely.
Works created 1928 or later Likely under copyright. Referenced for identification and scholarly commentary. Rights remain with their holders.
Architecture Buildings may be photographed freely in most jurisdictions (freedom of panorama). Rights in original designs may remain with architects or estates.
Film & music Referenced by title and creator for identification purposes only. No reproduction of protected content.

III. FromSoftware

Bloodborne, Dark Souls, Elden Ring, Sekiro, Demon's Souls, and all related titles, characters, and imagery are the intellectual property of FromSoftware, Inc. and Bandai Namco Entertainment Inc. (and, in the case of Bloodborne, Sony Interactive Entertainment). Artborne is an independent fan research project with no affiliation to, or endorsement by, any of these companies.

Game imagery, screenshots, and in-game references are cited for commentary and identification purposes under applicable fair use provisions.

IV. Images in the Archive

Thumbnail images displayed in the Archive are used for identification and scholarly reference. Where a work is in the public domain, the image is sourced from open repositories (Wikimedia Commons, museum digital collections, and similar). Where a work is under copyright, images are used minimally and solely for the purpose of identification—consistent with fair use / fair dealing provisions in applicable jurisdictions.

If you are a rights holder and believe an image is being used in a way that infringes your rights, please contact us with details of the work in question. We will review and respond promptly, and will remove or replace the image if required.

V. Third-Party Libraries & Typefaces

Artborne uses the following third-party resources:

  • Cormorant Garamond by Christian Thalmann—open-source, SIL Open Font License
  • Satoshi by Deni Anggara via Fontshare—free for personal and commercial use
  • Google Analytics—Google LLC, governed by Google's terms of service
  • Vercel Analytics—Vercel Inc., governed by Vercel's terms of service

Copyright & takedown requests: yep_stillfalling@proton.me

Please include the title of the work, your relationship to the rights, and the specific concern. We take all such requests seriously.

Artborne—The Painted World. An independent fan archive.

Return to the Archive